Two Sheds Dancing

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architecture

A proposal for a film shed in which to film the movie Run Lola, Run! The movie’s narrative is often advanced through a camera rotating out from a point, or at the periphery circling around a center. This camera technique sets up the film not as a story line, but instead as a series of colliding events on a russian roulette table. The camera rotation augments speed and collision. It suggests a circular space. Thus, the film shed is conceptually formed by two circles, almost colliding.